The words have returned.
The haze of the weekend burned off like dew in the sunshine. My mental hibernation has been replaced with an acute awareness. I feel a little like a laser beam split between my desire to run barefoot into the jungle to discover my true Oneness with All There Ever Is and Was and Will Be and my desire to climb the corporate ladder to the top and shift the paradigm of international business in a large, multi-national corporation. I’m wondering now if it’s possible to do both. Simultaneously.
I never shared the triumph of my first cover shoot and tonight I’m feeling inspired to do that. MOLE, a new publication in Tirol asked me to shoot the cover of their first edition magazine. When I say the words, “media landscape in Tirol,” what comes to your mind? Most people say something like “mountains” . . . but lest I remind them, a media landscape is not always the same as a landscape. 2+ years in the lovely hamlet produced a lot of cultural richness but a real dirth of commentary about it. Something about the nature of state-funded publications produces a very bland form of coverage. Come on, every German-adapted production of The King and I can’t be triumphant, right? In any case, my job was to consider the media landscape in Tirol. It was my first ’staged’ ‘concept’ shoot and I ended up taking an old cinema called Cinematograph to realize my image “The Most Beautiful Fraud in the World.”
The quote is from the French founder of new wave cinema Jean-Luc Godard. I don’t want to come across as a French cinema snob, ’cause i’m not, but his quote hit home on what I was trying to capture. The media landscape to me was something like a beautiful fraud. The cinema filled with people represents that the audience is present. They are showing up, buying their tickets and entering into new experience willingly, eagerly and openly. The openness of the audience in Tirol to new things always humbled me and helped me find my own portal to openess to new media, culture and art. Its a wonderful thing for a woman who always had the flexibility to carefully curate her sonic landscape (thanks New York!) to find herself in a place where you get what you get. The glasses were made of the 7 different popular media outlets that cover ‘kultur’ in Tirol. The majority are state-funded and, as a result, have a very bland way of covering events that might actually be thrilling. That bland filter is the cause of the audiences obstructed view…the generic coverage and promotion of the kultur essentially alters it, making it similarly moving, similarly edgy, similarly interesting and, as a result, exactly the same as what came before. The added element of the cinema further removes the audience from the experience keeping it both filtered and 2 dimensional.
MOLE is going to attempt to alter the media landscape of the Tirol. Make no mistake, they are also state funded but they are going to attempt to shine a new light and bring a new perspective. The light of the projector is MOLE…hopefully they can be the beacon ,the light, the difference between ‘the filter’ and the unaltered experience. I’m certainly rooting for them. Check out MOLE online or swing by any cultural institution in the Tirol to pick up a copy.
It was an honor to participate in the 1st edition of an idealistic new magazine and a treat to nab the cover. The team assembled making the print and online editions are excellent, inspired people and I hope our paths cross again.
Each relic I leave behind me feels a little like a bouey…like breadcrumbs in the forest…showing me the channel through which I’ve sailed. I leave pieces of me wherever I go not to show me the way back but to remind me where I’ve been. Like a ship out on the sea… I’ll have another fun commission to share with you in the coming weeks that will live in Austria for a whole year! How wonderful.
Don’t see the player? That’s okay…click here for my long distance dedication. Casey Kasem-style.











































